There were no mistakes. Not when she was talking on the beige push
button phone and pulled the extra-long coiled cord over to the stove
where she was making Hamburger Helper and it caught on fire in the gas
flames. Not when she bumped into the unfinished wooden planter with a
mirror she made in wood shop, and knocked it over. Not when she spilled
her milk.
Her father, a therapist without a license, practicing in a
town full of rich and repressed drunks, told her so.
If she broke a glass, or misplaced a book, or scraped the bar of
Irish Spring soap on the faucet to get a hair off of it until it was
concave in the middle, or cut herself slicing beef steak tomatoes for
the nightly iceberg lettuce salad, it was because she had ulterior
motives. She dreaded the confrontation. So much so that she would rush
into his shack, a brown room lined with plywood shelves, tables and
counters piled high with radio gear, electronics, a soldering iron,
wire, and tools, to tell him. It was worse to be found out later, woken
from sleep and required to admit what she had done.
She hated talking. She hated waiting just inside the doorway,
waiting for him to stop tapping, dah-di-dah-di-di-dah-di-dit, before he
faced her for the confession. She shifted from foot to foot, twisted her
tangled brown hair, stared at the intricate white meerschaum pipe on a shelf. It had
belonged to her grandfather, a surgeon, now dead. Next to that some kind
of fungus carved into a country scene, something he had done on a
fishing trip. Someday these things would go to her brother, and she
would inherit the old red and white china with ugly scenes of English
cottage life.
"I have something to tell you," she would whisper while he stared at
her, dark eyes hardly blinking, hands crossed over his chest with his
fingers interlaced, tapping, analytical.
"Yes. What is it?" His voice was soft and low, but it did not comfort her in the least.
"I," she started to breathe too fast.
"I," she couldn't concentrate. She just wanted it to be over.
"I burned the telephone cord."
He raised one heavy black eyebrow. He squinted his eyes. He demanded to know how it happened. And then why.
"Why do you think you did that?"
She almost put herself in
the corner to stare at the textured plaster painted over with
misleadingly cheerful yellow to think about it until she came up with an
acceptable answer.
"I guess I wasn't paying attention."
He looked dissatisfied. And worse, disappointed.
"That's not good enough. Why weren't you paying attention?"
Why?
Why couldn't he just yell and get it over with, or send her to her
room? Why did she have to stand there under his judgmental gaze until
she could figure out what awful internal motivation had made her act
out?
She wanted to scream. Instead she stood there, being watched, as she searched her mind trying to come up with a reason.
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